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Greece 2021

Olympia


Agrinio

Wake up at the Esperia hotel in Agrinio. Objective of the whole day: drive to reach Olympia. Yes, yesterday, we could not reach the island of Kefalonia due to lack of ferry, forcing us to drive a lot to resume the planned itinerary.

Esperia Boutique Hotel in AgrinioView from the Esperia Boutique Hotel

The Rio-Antirrio bridge

We pass onto the large Peloponnese peninsula, separated to the north by the Rio-Antirrio bridge.

The Rion-Antirion Bridge

"With a total length of 2,883 meters, the crossing consists of a multi-cable-stayed main bridge 2,252 meters long framed by two access viaducts. This 2004 structure held for four months the record for the longest cable-stayed deck with its 2,252 meters. This record held until December 16, 2004, date of the opening of the Millau Viaduct, whose cable-stayed deck length is 2,460 meters. Since 2013 and the construction of the Jia-Shao Bridge in China, it remains the third bridge with the longest cable-stayed deck in the world." © Wikipedia

The Rion-Antirion BridgeThe Rion-Antirion BridgeThe Rion-Antirion Bridge
The Rion-Antirion Bridge

Spiatza

After taking possession of our rental located in the town of Strefi, not far from Olympia, we go to enjoy the sunset on the beach of Spiatza.

Spiatza BeachSpiatza Beach
Sunset over Paralia SpiatzaSunset over Paralia SpiatzaSunset over Paralia Spiatza
Sunset over Paralia Spiatza

Strefi

That's it, it's the day of our Olympics! Well, almost, we are going to visit the ancient site of Olympia. And instead of the athletes' village, we are staying comfortably in the whole house (and its floor) of our Airbnb hosts!

Airbnb in Strefi
Airbnb in StrefiAirbnb in Strefi

Olympia

Let's go for the visit of the archaeological site of Olympia where, right from the entrance, restoration is in full swing. With Delphi, these are the unmissable archaeological sites of Greece.

The archaeological site of OlympiaThe archaeological site of Olympia
The archaeological site of OlympiaThe archaeological site of Olympia

"Olympia was a sanctuary, and not a city, inhabited only by temple staff and cult priests. The sanctuary was dedicated to Zeus, under whose aegis Games were held, every four years, starting from 776 BC. At the time of these Games, it is estimated that more than 40,000 people were present on the site (athletes, spectators, merchants, artisans, poets, sculptors and architects)." © Wikipedia

The archaeological site of Olympia

The 192-meter gymnasion, used for running, javelin throwing and discus throwing.

The archaeological site of OlympiaThe Prytaneion - Archaeological site of Olympia

The Philippéion

In the 4th century BC, Philip II of Macedon commissioned the Philippeion, a round building (a tholos) encircled by 18 columns surrounding statues representing him and his family, including his son Alexander the Great.

The Philippeion - Archaeological site of OlympiaThe Philippeion - Archaeological site of Olympia
The Philippeion - Archaeological site of OlympiaThe Philippeion - Archaeological site of Olympia

The temple of Hera

The temple of Hera in Olympia dates approximately from 590 BC. It is generally here that the first lighting of the Olympic flame takes place before each game of modern times.

The Altar of Hera - Archaeological site of OlympiaThe Altar of Hera - Archaeological site of Olympia
The Altar of Hera - Archaeological site of OlympiaThe Altar of Hera - Archaeological site of Olympia

Steles with inscriptions that I let you translate...    

The Altar of Hera - Archaeological site of OlympiaThe Altar of Hera - Archaeological site of Olympia
The archaeological site of Olympia

The Stadium

This arch which dates from the 1st century BC is what remains of the tunnel through which athletes had to pass before arriving at the great Stadium.

The Stadium - Archaeological site of OlympiaThe stadium - Archaeological site of Olympia

The stadium measures 192.35 meters (600 ancient feet...) by 30 meters. On each side and at the back, the sloping embankments could accommodate 45,000 spectators! Only men were admitted because the athletes ran completely naked...

The Stadium - Archaeological site of Olympia

The starting line of the time, all in marble and always ready to receive runners.

The Stadium - Archaeological site of OlympiaThe stadium - Archaeological site of Olympia

Obviously, many cannot resist reproducing the ancient races...  

The stadium - Archaeological site of OlympiaThe Stadium - Archaeological site of Olympia
The stadium - Archaeological site of OlympiaThe stadium - Archaeological site of Olympia

The Echo Stoa

"Otherwise known as Stoa Poikile (meaning painted stoa) due to the paintings that once lined the hall, the stoa later became known as Echo Stoa due to the acoustics of its design. It is said that a spoken word would echo seven times. Nearly 100 meters long, it was probably started after the mid-4th century, but was not completed until long after." © Wikipedia

The Heptaechos portico - Archaeological site of OlympiaThe Heptaechos portico - Archaeological site of OlympiaThe Heptaechos portico - Archaeological site of Olympia
The archaeological site of OlympiaThe archaeological site of OlympiaThe archaeological site of Olympia

The Victory of Paionios

The column that supported the statue of the "Victory of Paionios" which we will see later in the museum.

The base of the Victory of Paionios - archaeological site of OlympiaThe base of the Victory of Paionios - archaeological site of Olympia

The temple of Zeus

This 5th century temple was undoubtedly the most impressive on the site. Six columns on the facade by thirteen on the side (64 meters by 24 meters). The temple mainly housed what was considered the 3rd wonder of the world, the chryselephantine statue of Zeus. It was 12 meters high (including 3 meters for the pedestal) and was made of wood, gold and ivory (hence its name chryselephantine). The statue was moved to Constantinople and disappeared in a fire in 432 BC. Only one column has been restored and put back on its feet.

The Temple of Zeus - Archaeological site of Olympia

The other asset of the temple was its pediments, composed of dozens of statues in Parian marble (the name of the island where the marble was extracted) which we will also see at the museum...

The Temple of Zeus - Archaeological site of OlympiaThe Temple of Zeus - Archaeological site of Olympia
The Temple of Zeus - Archaeological site of OlympiaThe archaeological site of Olympia

The Palaestra

The Palaestra was the training hall for wrestlers and boxers. The building measured 66 meters on each side, consisting of a central courtyard covered with sand, surrounded by a double row of columns topped with a wooden roof.

The archaeological site of Olympia
The archaeological site of Olympia
The archaeological site of OlympiaThe archaeological site of Olympia

The baths

The baths and thermals with their mosaic floors.

The baths and thermal baths - Archaeological site of OlympiaThe baths and thermal baths - Archaeological site of Olympia
The baths and thermal baths - Archaeological site of OlympiaThe baths and thermal baths - Archaeological site of OlympiaThe baths and thermal baths - Archaeological site of Olympia
The baths and thermal baths - Archaeological site of OlympiaThe baths and thermal baths - Archaeological site of Olympia
The baths and thermal baths - Archaeological site of OlympiaThe baths and thermal baths - Archaeological site of Olympia

Phidias' workshop

"The statue of Zeus was sculpted by Phidias' workshop around -440 / -430. Out of veneration for the sculptor, the workshop was preserved until the 5th century. It was then transformed into a Christian basilica." © Wikipedia

The archaeological site of Olympia

The interior of the workshop with its brick walls.

The archaeological site of OlympiaThe archaeological site of Olympia
The archaeological site of Olympia

The temples were built of shelly limestone, limestone rock consisting of remains of organisms whose mineral envelope is still visible.

The archaeological site of OlympiaThe archaeological site of OlympiaThe archaeological site of Olympia

The temple of Zeus.

The Temple of Zeus - Archaeological site of Olympia
The Temple of Zeus - Archaeological site of Olympia

Leonidaion

"The Leonidaion, is a building constructed in 330 BC. Its name comes from its donor and architect Leonidas of Naxos. It served as a hotel and welcomed official visitors and athletes." © Wikipedia

Leonidaion - archaeological site of Olympia
Leonidaion - archaeological site of OlympiaLeonidaion - archaeological site of OlympiaLeonidaion - archaeological site of Olympia
Leonidaion - archaeological site of Olympia
Olive tree - archaeological site of OlympiaOlive tree - archaeological site of OlympiaOlive tree - archaeological site of Olympia
Leonidaion - archaeological site of Olympia
Leonidaion - archaeological site of Olympia

The Pyrsos Statue

We leave the archaeological site and pass right next door into the modern city of Olympia to reach the archaeological museum. The road passes by the Pyrsos statue inspired by a winged Nike.

Statue of Pyrsos - OlympiaStatue of Pyrsos - Olympia

The Archaeological Museum of Olympia

"The museum houses discoveries made on the Altis, the site of Olympia: objects ranging from prehistory to Roman times. The extent of its collection of ancient bronzes makes it the largest in the world." © Wikipedia

Archaeological Museum of OlympiaArchaeological Museum of OlympiaArchaeological Museum of Olympia

Zeus kidnapping Ganymede (5th century BC).

Archaeological Museum of Olympia

The Victory of Paionios (around 420 BC).

Victory of Paionios - Archaeological Museum of OlympiaVictory of Paionios - Archaeological Museum of Olympia

A nude warrior and his tunic with its original colors (around 490 BC).

Archaeological Museum of OlympiaArchaeological Museum of Olympia

Artist's view and model of the statue of Zeus in the temple of Zeus. Right photo: a model with a man at the entrance of the temple facing the huge statue.

Archaeological Museum of OlympiaArchaeological Museum of OlympiaArchaeological Museum of Olympia

Hermes carrying the infant Dionysus, or Hermes of Praxiteles (4th century BC).

Hermes of Praxiteles - Archaeological Museum of OlympiaHermes of Praxiteles - Archaeological Museum of OlympiaHermes of Praxiteles - Archaeological Museum of Olympia

Detail of the foot integral with the base.

Hermes of Praxiteles - Archaeological Museum of Olympia

"It seems probable that the group represents the mythological episode where Hermes carries to the nymphs of Mount Nysa the newborn Dionysus, so that they raise him in hiding from Hera. On the way, Hermes rests and takes the opportunity to distract the young child by shaking in his right hand an object that Dionysus tries to catch. It has therefore been assumed that the stone Hermes held in his right hand a musical instrument, like crotales — or even a thyrsus, or a drinking goblet. However, a fresco from the Casa del Naviglio in Pompeii pushes to prefer the hypothesis of a bunch of grapes." © Wikipedia

Hermes of Praxiteles - Archaeological Museum of OlympiaHermes of Praxiteles - Archaeological Museum of Olympia

And details are also found behind... But not where you think, but rather in terms of finishes. Indeed, the back was not polished like the torso, one can roughly see the traces of tool passages.

Hermes of Praxiteles - Archaeological Museum of OlympiaHermes of Praxiteles - Archaeological Museum of OlympiaHermes of Praxiteles - Archaeological Museum of Olympia

Roman Emperor Hadrian (~160 AD).

Archaeological Museum of Olympia

On the left and right, Marcus Aurelius, at least what remains of him...

Archaeological Museum of OlympiaArchaeological Museum of OlympiaArchaeological Museum of Olympia
Archaeological Museum of Olympia

On the left, Poppaea Sabina, the second wife of Emperor Nero. On the right, Emperor Titus.

Archaeological Museum of OlympiaArchaeological Museum of Olympia

A model of the village of Olympia in its heyday.

Archaeological Museum of OlympiaArchaeological Museum of OlympiaArchaeological Museum of Olympia

And here are still other treasures: the pediments of the temple of Zeus. "The statues are all in Parian marble, except on the west pediment two old women in the right corner, a young woman in the left corner and the arm of another young woman which are in Pentelic marble, sign of a restoration during antiquity. Traces of color show that the pediments were painted." © Wikipedia

Archaeological Museum of Olympia

The East pediment. "This pediment, with a width of 26.39 meters for a maximum height of 3.47 meters, represents with 21 statues, the preparations for the chariot race between Pelops and Oenomaus, one of the founding myths of the ancient Olympic Games. Pausanias attributes it to the sculptor Paionios. More recent versions speak of the "master of Olympia". The pediment would date from the middle of the 5th century BC." © Wikipedia

East Pediment of the Temple of Zeus - Archaeological Museum of Olympia

The statue of Zeus is obviously in the center. Pelops is located to his left. To his right, Oenomaus "the mature and thoughtful man".

Archaeological Museum of Olympia

Pelops and Oenomaus.

Archaeological Museum of OlympiaArchaeological Museum of Olympia

The statue of Zeus is obviously in the center. Pelops is located to his left. To his right, Oenomaus "the mature and thoughtful man".

Archaeological Museum of Olympia

"The Seer" (Clytius, Iamus or Amythaon) and a man playing with his toe.

Archaeological Museum of OlympiaArchaeological Museum of Olympia

At the interior ends of the temple, 12 "metopes" (large panels with high reliefs). They represented the 12 labors of Heracles. This one is part of the panel of Heracles and Cerberus.

Archaeological Museum of Olympia
East Pediment of the Temple of Zeus - Archaeological Museum of Olympia
Archaeological Museum of OlympiaArchaeological Museum of Olympia

The west pediment. "The west pediment, attributed to Alcamenes, represents the combat between the Lapiths and the Centaurs during the wedding of Pirithous. None of the statues are complete here either. The central one representing Apollo is the best preserved" © Wikipedia

West Pediment of the Temple of Zeus - Archaeological Museum of Olympia

Apollo, the Centaur and a Lapith.

West Pediment of the Temple of Zeus - Archaeological Museum of OlympiaArchaeological Museum of OlympiaArchaeological Museum of Olympia

Apollo.

Archaeological Museum of Olympia

Hippodamia (wife of Pirithous) and two Lapiths.

Archaeological Museum of OlympiaArchaeological Museum of Olympia

A metope of Heracles with here the Cretan Bull.

Archaeological Museum of Olympia

Museum of the History of the Olympic Games

Another museum, entirely devoted to the Olympic Games of the ancient era. It was created in 2004.

Museum of the History of the Olympic Games
Museum of the History of the Olympic GamesMuseum of the History of the Olympic Games

Marble funerary stele representing a nude athlete holding a strigil (a scraper for cleaning and rubbing the body) in his right hand and perhaps a bird (350-340 BC).

Museum of the History of the Olympic Games

Mosaics on athletes and games.

Mosaic - Museum of the History of the Olympic GamesMosaic - Museum of the History of the Olympic Games
Mosaic - Museum of the History of the Olympic GamesMosaic - Museum of the History of the Olympic Games
Mosaic - Museum of the History of the Olympic GamesMosaic - Museum of the History of the Olympic GamesMosaic - Museum of the History of the Olympic GamesMosaic - Museum of the History of the Olympic Games
Mosaic - Museum of the History of the Olympic Games

"The Discobolus (literally, "the discus thrower") is one of the most famous statues of Antiquity. Generally attributed to Myron, Athenian sculptor of the 5th century BC.;;

The Discobolus - Museum of the History of the Olympic Games
Museum of the History of the Olympic Games

Strefi

Back to our Airbnb located in Strefi. From the small balcony of my room, I can leave my camera on pause and thus capture the Olympian star trails!  

Starry sky - StrefiStarry sky - Strefi





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